Monthly Archives: March 2019

Hot Air: Blockbuster

This is real, honest-to-gosh, groundbreaking news:

Everybody‘s covering this story but it still seems an underplayed scoop. The AIDS epidemic struck while I was in my late twenties. I’d already experienced the tail end of the free love ’60s and the nonstop orgy ’70s. Then, coincidentally slithering in with the Reagan Era, the Age of AIDS dumped a bucket of ice water on all the bacchanals we’d come to think would be the new norm forever and ever amen.

My pals and I hung out in the punk clubs and the warehouse-sized gay bars back in 1977 and ’78. The joints throbbed with heavy bass beats and thrusting pelvises. They reeked of sweat, leather, and poppers. Swear to god, some of the more hard core boy bars redid their interior decor in non-porous painted cinder block so as to allow the clean up guys to simply hose the walls and floors down after a night of dancing and thrusting and if I have to explain why…, well, you just had to be there.

Then AIDS came along and, of course, the party was over. The crowd I hung with walked around for the next couple of decades in stunned silence, mourning their dead friends, scared to death that some quick clutch and grab with a little pony in chaps that time in an unlit corner of the Manhole a few years back might have left them with a ticking time bomb inside in their bloodstream.

All sorts of rock stars, artists, actors, hell, even bank presidents were dropping dead. All because they’d ridden bareback one or thirty too many times. Sex, it was said, equalled death.

Had there been even a hint of a headline that some kind of cure for AIDS was on the horizon, it’d have been the biggest news since…, since forever. For pity’s sake, it seemed every single goddamned episode of Oprah featured some concerned looking suburban mom standing up and asking the guest — whoever s/he may have been and whatever they hell they were talking about — “What about AIDS?” As if merely stepping outside the house put one at risk for catching the virus.

It can be argued that today’s reality that kids simply do not go outside to play the way every single generation since the hominids came down out of the trees in central Africa had come about in large part because parents were petrified their trophy children would somehow, in some bizarre way, get infected.

“A Cure for AIDS” would have rivaled “Japs Bomb Pearl Harbor” and “President Shot In Dallas.”

Now, after Freddie Mercury, Keith Haring, Rock Hudson, Anthony Perkins, Arthur Ashe, Liberace, Gia Carangi, Roy Cohn, Perry Ellis, Ryan White, Terry Dolan, Halston, Gil Scott-Heron, the dad on “The Brady Bunch,” John Holmes, Glenn Burke, Rudolf Nureyev, Steve Rubell, Easy-E, Max Robinson, and perhaps 40 million other, less celebrated, souls have died of the disease researchers offer a glimmer of hope that the thing can be eliminated the way smallpox, measles, and a few other scourges almost have been.

Really. This shit is big.

Ironically, it takes humankind’s most powerful tool that magnifies excruciatingly tiny things, the scanning electron microscope, to show us exactly what has caused all this death and panic the last 40 or 50 years.

Hot Air: The Milton Knight Story

Noted cartoonist Milton Knight was kind enough to fill me in on an ugly incident — one that’s become all too common in this Trumpian Era — that occurred a week ago today. I wrote about the incident Thursday and Friday after being tipped off by a loyal Pencillista.

Knight says he was involved in fistfight at the bus stop outside the Kroger at 2nd and College avenues. Knight, who’s lived in Bloomington since last July, wrote about the incident on a social media post dated February 25th, the day it happened:

I was beaten up today. To make a long story short, was waiting for the bus, and a guy was using a one-sided conversation with people to shout NIGGER every two seconds. Went on for 15 minutes. I gave him the finger. He kept screaming NIGGER this and that. I let him have the last SHUT UP NIGGER, but after that he kept going. Soon it was “COME OVER HERE, NIGGER I’LL KICK YOUR ASS” and things like that. I went, and he did. I got in the second punch, but it was endless punches to the head, even after I went down. I was hanging onto his jacket, and he said he couldn’t get up. The cops came. I went to the hospital. Cuts, a broken nose and more. He went to the same hospital; he had busted a fist!! I pressed charges; he went to jail for battery. The police were very nice. It’ll be a string of repairs for me. Soon I am going to die. I can’t take this any more.

Knight tells me the police report on the incident is No. B19-07914.

Milton Knight

Pasadena Weekly, an alternative newsweekly, ran a piece on Knight last April. Acc’d’g to writer Andre Coleman, Knight, described as disabled, was being evicted from his rundown Altadena apartment at the time. For his part, Coleman writes, Knight had recently been hospitalized with typhus, a bacterial infection that’s usually prevalent only in squalid slums in poverty-stricken, densely-populated areas of the world. Knight told the reporter he’d been bitten by fleas that live on rats that had infested his neighborhood. Knight told Coleman he almost died from the disease.

Some $5000 was raised by a GoFundMe campaign to benefit Knight, Coleman wrote. (Knight’s GoFundMe page has raised $16,896 as of this morning.) Three months later, Knight landed in Bloomington.

Knight was born in 1962 and began drawing pictures at the age of two. He has told numerous sources he suffered from severe physical abuse at the hands of his alcoholic father, so much so that he now lives with Post-Traumatic Stress Disorder. He went to school at the Nassau County Cultural Arts Center in Syosset, New York, and Hofstra University. In 1979, he started selling drawings and comics to nationally-distributed publications such as the Village Voice, the National Lampoon, High Times, Heavy Metal, and others. His drawings adorned T-shirts, greeting cards, theatrical posters, CD covers, and more. His style has been described as reminiscent of the Golden Age of Comics (1930s through the mid-1950s). In the ’90s, Knight worked as a TV cartoon animator for Disney, MGM, Warner Bros., HBO, and others. After moving to California in 1991, Knight also taught at the Colonnade Art Gallery & Studio.

Last month, Knight’s work was featured in a group show at the Dimensions Gallery at Artisan Alley here in Bloomington.

If Knight’s recounting of the incident is accurate, the man who punched him up is likely mentally troubled. Still, it’s jarring news to those of us who believe we live in a safe bubble here in progressive Bloomington. I hope we get to enjoy Milton’s company and work for a long time to come.

 

Hot Air: Local News?

Pencillista George Bull tells us he’s heard the Milton Knight incident happened right here in Bloomington, although I’ve yet to be able to verify that. I mentioned Knight and the beating he took on a bus earlier this week in yesterday’s post. Knight revealed on a Monday, February 25th, social media post that a man shouting racial slurs busted his nose in a brawl on a bus. Bull linked me to TSSZ, a gamers’ website, for one account of the story and I’ve since found the incident mentioned on the Anime News Network site. Knight is a renowned cartoonist whose comic book drawings have appeared in the Village Voice, National Lampoon, High Times, Heavy Metal, and many others.

Knight‘s work has been on display locally through the month of February at the Dimensions Gallery by Artisan Alley in a group show entitled “Night Comes on Gently.” Knight lives on the west coast but it’s entirely possible he’s been in town, especially this week, one might assume, to take down his pieces.

I’ve got a call in to Dimensions and have sent an email to Knight asking for more details about the incident. As soon as I get more info, I’ll share it.

Here, BTW, is a good example of Knight’s work:

© Milton Knight, 2002

Council Contests

The second in my series of interviews with selected candidates for Bloomington city council aired yesterday on Big Talk. Miah Michaelsen, the self-described former “arts czarina” of this town, talked about her campaign to unseat long-time incumbent council member Dave Rollo in District 4.

Michaelsen currently serves as the deputy director of the Indiana Arts Commission and she was the driving force behind the establishment of Bloomington’s first-in-Indiana arts and cultural district. Indiana now boasts ten such designated districts and the state senate is considering a bill allowing municipalities to grab some local tax dollars to finance their districts and spur nonprofit and for-profit “creative economy” businesses.

Here’s the link to the Michaelsen podcast.

Next week, my guest will be the sole Republican in this year’s city council contests, Andrew Guenther. The 24-year-old is hoping to replace Dorothy Granger in District 2. For her part, Granger is trying to fend off challenges in the Democratic primary from newcomers Sue Sgambelluri and Daniel Bingham.

Tune in every Thursday at 5:00pm for Big Talk on WFHB, 91.3 FM.