Category Archives: Taxi Driver

The Pencil Today:

THE QUOTE

“‘C’mon, people, we’re not selling truth!'” — Michael Lewis, quoting a typical PA announcement on the Salomon Brothers sales floor.

RAIN

A young guy came into the Book Corner yesterday afternoon. He’s a regular. Comes in once every week or two and buys a couple of Penguin Classics (which, BTW, are among the coolest books — they’re inexpensive and the titles are, well, classic, like “The Three Musketeers” or “Humboldt’s Gift”).

Anyway, we told each other how fabulous the weather has been the last couple of weeks. He splashed cold water on the small talk, though, by saying his father, a farmer, is worried.

The old man, the guy reported, raises corn and soybeans on his spread about forty minutes west of Bloomington. Pops’ crops need a good soaking rain, and quick.

I’ve heard talk the area’s water table is down some 1o inches.

“Things are alright right now,” the guy said, “but if we go any longer without rain, my dad’s going to be in trouble.”

ON THE TOWN

Click.

HENRY HILL IS DEAD

One of the most despicable characters ever portrayed in film was a real person. An associate of New York’s Lucchese crime gang, Henry Hill turned rat back in 1980, saving his own hide by cooperating with the Feds who slammed his old pals into the joint.

Hill then told his story to Nick Pileggi and the ensuing book, “Wiseguy” was made into the iconic mobster movie, “Goodfellas.”

Henry Hill

Ray Liotta played Hill in Martin Scorsese’s pic. The movie opens with the character Tommy DeVito repeatedly plunging a big kitchen chopping knife into the torso of a mobster named Billy Batts. Tommy is one of Hill’s two closest companions. Batts is in the trunk of Hill’s car.

Hill holds the trunk lid open as DeVito skewers Batts. The camera zooms in on Hill’s face to a freeze-frame. We hear Hill’s off-screen voice saying, “As far back as I can remember, I always wanted to be a gangster.” Tony Bennett’s “I Go From Rags to Riches” begins to blare on the soundtrack and we’re off.

Ray Liotta As Henry Hill

Scorsese plays most of Hill’s story for laughs. “Goodfellas” could have been one of the darkest movies he ever made. Shoot, “Taxi Driver” might have been a giggle-fest compared to “Goodfellas” had Scorsese elected to portray Hill’s and DeVito’s and their partner Jimmie “The Gent” Conway’s workaday world straight.

I’m no shrink but I’ll guarantee you Hill et al were classic sociopaths.

Funny thing is, what should have been an abhorrent tale of evil turned out be something more akin to a recruitment ad for the Mafia.

Not that people who watched the flick actually tripped all over themselves in a rush to become connected killers and thieves but “Goodfellas” popularized the speech patterns, the music, and the outward trappings of the lifestyle of New York’s Italian-American reprobates.

“Cool” Guys

Henry Hill and his smartly dressed pals became more cool guys to be aped than terrifying monsters to be loathed.

Even Tony Bennett has to attribute a pinch of his resurgent success on “Good fellas” and similar glamorizations of Mob life.

Mob movies of the last 40 years offer stories that satisfy some of our simplest needs in a changing world. The New York Mob lived in a self-contained universe where justice was swift, morality — such as it was — was  clearly defined, and hard work and brotherhood brought rich rewards.

If most guys in real life weren’t willing to plunge chopping knives into each others’ torsi, many at least wanted to sound and look like Henry Hill and his crew.

I don’t know if Scorses intended that result. I also don’t know if he’s ever regretted creating roll models for lunkheads.

“Goodfellas” in that sense reminds me of Michael Lewis’s book, “Liar’s Poker.” Lewis describes the amoral world of the Salomon Brothers investment bank in the mid-1980’s. Saint Ronald Reagan’s deregulations and the lust for obscene amounts of cash created a gang of bond traders and salesmen who thought nothing of screwing customers, each other, and, for that matter, the nation’s economy simply to scale the company’s success ladder as measured by each participant’s year-end bonuses.

Bonuses which, by the way, far too often totaled into the hundreds of thousands and even millions of dollars.

Lewis had hoped to expose this bankrupt world and thereby convince young people, who were beginning to enroll in business schools at unprecedented rates, to move into other, more worthy disciplines.

Instead, kids got off on the picture of greed and evil Lewis painted. Thousands of college students wrote to Lewis to ask him advice on how to get into the racket. He was shocked by their reaction.

Next thing you knew, avarice and narcissism had completely engulfed this holy land and, by extension, the rest of the world. The orgy went on up until the big crash on 2008. It still goes on in certain quarters today (I’m thinking Jamie Dimon and his confreres).

Talk about unintended consequences.

LET IT RAIN

For the farmers.

The Pencil Today:

TODAY’S QUOTE

“The clock talked loud. I threw it away. It scared me what it talked.” — Tillie Olsen

TEMPUS FUGIT

It was a wild ride around the sun this time, no?

Don’t unbuckle your seatbelt just yet. The next one promises to be just as bumpy.

HUGO

The Loved One and I caught Martin Scorsese‘s “Hugo” yesterday. An out and out visual treat. It was the master director’s love letter to the movies.

Understand that I’m a big Scorsese fan. His “Raging Bull” was the greatest sports movie ever made and deserves consideration as the greatest movie ever made, period. At least two scenes from his movies have become conversational mantras: “I’m funny how? I mean, funny like I’m a clown? I amuse you?” and “You talkin’ to me? I’m the only one here.”

Joe Pesci As Tommy DeVito

But Scorsese, in my unhumble opinion, always has kept a distance from his characters. He has handled the likes of Travis Bickle, Tommy DeVito, and Bill “the Butcher” Cutting with an icy reserve. He’s as dispassionate as a surgeon.

Even Hugo Cabret, the train station orphan who’s desperate to discover his purpose in life; Scorsese observes him from a remove. It’s the story of “Hugo” that Scorsese embraces, as if it’s his own.

“Hugo”

I’ll bet in the deepest recesses of his imagination, it is.

Anyway, one thing I couldn’t get past. The movie is set in a Paris train station. The vast majority of characters are French women and men (and kids). So why does everybody speak with an upper-class British accent?

NOCERA SWIPES MY IDEA

Speaking of sports (well, I mentioned the word in the above bit, didn’t I?), Joe Nocera penned a compelling piece for tomorrow’s New York Times Magazine. He suggests we strip away all the pretense and just pay college football and basketball players. He also recommends dropping the whole student-athlete charade.

Nocera

I endorse every word he writes, mainly because they’re precisely the things I’ve been hollering for years.

Living in a college town for more than two years now I realize how important the Hoosiers or the Buckeyes or the Badgers or even the Nittany Lions are to their surrounding communities.

Big time college athletics has become so ingrained in the life of the region around each university that the teams have become, in essence, public trusts. The Hoosiers, rightfully, are more a possession of the local citizenry than they are of Indiana University.

So, run the operation like a business. Which means pay the labor.

Even The Chinese Who Built The US Railroads Got Paid

NEWS AS ENTERTAINMENT

The Herald Times decreed today that the Lauren Spierer disappearance was the top local story of 2011.

I suppose that would be true if by “top story” you mean the one that played out most like a dramatic daily serial.

Me? I figure the top story was — once again — funding cutbacks for schools, libraries, social services, Planned Parenthood, and the like due to the 2008 crash and the inexorable move to the right in our holy land.

Then again, that’s not as riveting as The Case of the Missing Well-Heeled Pretty Blond Coed.

STAYIN’ ALIVE

Hey, if you’re planning to get sloshed tonight, remember to take the Yellow Cab Company up on its offer of a free ride home. IU-Bloomington Hospital as well as the city and the county are helping pay for the service.

Some 19 drivers will be shuttling the tipsy and the downright drunk home from their parties from 9:00pm through 4:00am.

See, It’d Be Better If This Guy Didn’t Drive Tonight

Call 812.339.9744 for your ride.

Oh, and don’t be a smart ass — the free ride is not meant for people shuttling between parties. There’s always some knucklehead.

THE FIGHTING GOP

Peter Sagal on “Wait Wait… Don’t Tell Me” revealed this morning that former Minnesota GOP governor Tim Pawlenty claims to relax by logging on to a website featuring hockey fights.

You know, where two uniformed simians on skates pound each others’ heads and faces and otherwise express their version of sportsmanship.

Relaxing

Yep, nothing like watching incidents of otherwise-felonious assault to reach that zen-like state of repose. As long as you ignore the fact that many hockey goons will suffer brain degeneration and may well die young.

Is it any wonder why I’ve never voted Republican?

TIME

It’s a good day to listen to the Chambers Brothers hit from the fall of 1968.

Live this next year as if it may be your last. And let’s hope we can say that to each other fifty more times.